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Yummy? More like Nauseating

So… There’s a lot going on in the world, as many of you probably know. And as much as I’d love to...

Sideline Spotlight: Matt Farley

Matt Farley is the most important musician you don’t know about. To date, he has released over 20,000 songs ranging from heartfelt...

Christmas Music is Hollow and Contrived

My favorite holiday is a week away, and I’m pumped to be in town to see my family and best friends. Unfortunately,...

MoMA Rehang Review (A Collage)

*Hannah Höch, Collage II (On Filet Ground) (Collage II ), c. 1925, on view: floor five, gallery space 509.

What SoundCloud Rap — and Its Unfortunate Demise — Means to Me

It’s been a tough few years for the burgeoning genre known as SoundCloud rap. It exploded in the mid-to-late 2010s with a...

American Utopia: The Future of American Entertainment

David Byrne’s “American Utopia” is an example of where entertainment and art can converge, and where they should be headed together in...

Part III, Kelso Comes Home (if That’s Where We Really Keep Our Hearts)

*Hieronymus Bosch, The Garden of Earthly Delights, 1503-1515 The third song, “All Day Breakfast,” is very much in...

Finding a Lost Contemporary Art Audience

The lines of what art is have been blurred by the current state of the internet. In 2013 Brad Troemel wrote about...

Sideline Spotlight: Pure Colors, Modern Funk Ambassador

Hailing from Atlanta, 26-year-old Pure Colors is emerging on the scene as a talented and youthful face for future funk out East....

Has the Art World Earned the High Marks It Receives for Progressive Action?

*Rachel Ruysch, Fruit and Insects, 1711 I have written several versions of this article each juxtaposing a different...
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